_ Ratzan'Kor Joséphine Evrard / Andreas Müller
	_ Biographical Information Since 1997 Joséphine Evrard and Andreas M¸ller have been collaborating on structured improvisations, performancesand works of other choreographers. Together they founded the Physical Objekt Theatre Ratzan 'kor. _ Andreas M¸ller, works with Dieter Heitkamp, Jess Curtis, Kurt Koegel, the Arrazo Tanztheater K–ln, Lole Gessler, the Performanceb¸hne/Berlin, Be van Vark, miscrÛ danza Rom and artscenico Dortmund amongst others. His physical-cabaret-like soloworks include "eisenhans, der" (1995) (ironjohn, the), "Die Mondlandung" (1999) (The Moonlanding) and smaller productions, which were shown at festivals and were premiered as studio performances. Since 1997 he has been one of the organisers of the improvisation events "nichts wissen um 5" (to know nothing at 5) of the Tanzfabrik Berlin. _ Joséphine Evrard, 25, completed her dance education in Paris. Her work was influenced by Karin Waehner, Josef Nadj, Francois Verret, Vera Mantero, Benoît Lachambre and the clown Nikolaus. _ Her first two solo-choreogaphies "La matière de l'absent" (1994) (The Material of Absence) and "L' invisible obscur" (1996) (The Obscure Invisible) were created in France, the following "Sept petites mémoires" (Six Little Memories) and "Not to be reproduced" (1998) in Berlin. Since 1997 she has performed with Lole Gessler, David Moss, Amos Hetz and Felix Ruckert amongst others and worked with Dieter Heitkamp, Stephanie Maher, Benoît Lachambre and Marc Pohl.
_ Approach to Work For both choreographers the scenography is central to their pieces. They emphasise the relationship between the body and object. The interaction with different kinds of objects provokes scenes, actions, physical situations and - images. In their installations they set up bodies and objects into spatial, aesthetic and dynamic relationships or animate them through simple mechanisms. Their interest in the bizarre and absurd facets of human life, perception and the material world crystallise progressively in their works.
_ Current Production "La Symphonie Obscène", first showing, at the Tanztage im Pfefferberg (1999) is absurd theatre which turns normal ways of seeing upside down in a playful way. Distorted perspectives and twisted axes transform it into a dynamic landscape of animated bodies.	_ Future Projects 2001: "Schwamm- Le voyage au bout de l'éponge" _ Repertory _ "La Symphonie obscène" (1999), 2 Dancers, 60 min.,8 x 6 m, Height 5 m